Prairie Wheat

It is difficult to think of something that has a more powerful symbolic, cultural, and visual impact for Western Canadians than wheat.

It is difficult to think of something that has a more powerful symbolic, cultural, and visual impact for Western Canadians than wheat. Much of humanity owes its development and success to wheat and its genetic antecedents. Wheat provides daily bread for most of humanity. People have moved across oceans to settle in places, like the Canadian Prairies, where wheat can be grown. For most of Manitoba’s history, wheat was king - and Brandon has a hockey team to prove it. While agriculture has certainly diversified over the years, wheat is still a major crop in most farmers’ rotations.

As a farmer’s son, wheat figured large in my childhood experience. I helped seed it, cut it, harvest it, shovel it in the bin, and truck it to the elevator. It was always our biggest crop and the size of the wheat harvest was, literally, my family’s income for the next year. If the wheat crop was good, harvesting a field was exciting and hopeful. If it wasn’t, every combine trip around the field became a reminder that cash would be tight in the coming year.

Photographically, I’m a student of wheat. I’ve always found photographing wheat to be challenging. Weather conditions, especially wind, conspire against a photographer looking to photograph wheat in the field. Context matters so much with a powerful visual like wheat, which often takes some luck or careful planning to achieve. Yet, I continue to try. Wind Wheat (below) was one of the first photographs that made me feel good as a photographer. On the other hand, yesterday afternoon’s effort produced more lessons than great photographs (Note to self: Turn off the multiple exposure setting when you’re finished with it!) This gallery is a collection of my efforts to photograph wheat. I hope you enjoy my photographs and thoughts about them.

Wind Wheat

If I have a photographic style, Wind Wheat is an example. I like subjects that are simple, have dramatic design elements, and allow me to present reality in a new or unexpected way. We had just started cutting this field and I was waiting in the truck for my dad to finish his round with the swather. The clean edge left by the swather interested me - it reminded me of a cross-section view of a wheat field. I took the photograph by splaying out the legs of my tripod and lying beside the camera, on freshly cut stubble (Ouch!). to look through the viewfinder. I love the clean, sharp, and dramatic representation of wheat that I created in Wind Wheat.

Wind Wheat was photographed on Ilford FP4, a 125 ISO film. FP4 was a good, all-around medium speed film. I had just read an article in Popular Photography about an old-school film developer called Agfa Rodinol. The article touted Rodinol as a “high acutance” developer, meaning that it produced sharper looking negatives by enhancing edge clarity between various tones. I did all my own darkroom work at the time and was very pleased with the results. Sadly, Agfa was a German company their darkroom products weren’t readily available in Canada. Rodinol was a special order item, when you could get it at all, so I didn’t get to use it after the Wind Wheat batch.

Nikon FE w. 50mm f/1.8 and Nikon 52mm polarizing filter.

Wheat Clone Trio

These photographs were taken on a breezy day, which made it difficult to get a sharp picture. One trick that I use is to just wait. The wind is seldom consistent; it comes and goes. Waiting until a still moment often allows for much sharper photographs. Sometimes, however, I just decide to find ways to represent the movement of my subject in new ways.

These photographs truly represent cloning. Look closely and you’ll see that the heads of wheat are identical. This is a multiple exposure. I took three photographs using the same frame. Each photograph captured the head of wheat in a different position as it swayed in the wind. A photographer can calculate the exposure for multiple exposures, but there’s always an element of unpredictability, especially in colour. The wheat and the sky have a softer, almost surreal feel to them.

I’ve included both colour and black and white versions. I’d love to know which you prefer. I can’t decide myself, but I love the stark lines and textures that the black and white version has to offer.

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